Octaves and Fourths: Tonal Development & Intonation

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& 24˙ ˙ ˙ ˙ ˙ # ˙ # ˙ ˙ ˙ b ˙ b ˙ ˙ ˙ ˙ ˙ ˙ ˙ b ˙ b ˙ b ˙ b &6 ˙ ˙ ˙ ˙ ˙ # ˙ # ˙ # ˙ # ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ &10 ˙ # ˙ # ˙ # ˙ # ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ # ˙ # ˙ # ˙ # ˙ ˙ ˙ ˙ &15 ˙ # ˙ # ˙ # ˙ # ˙ ˙ ˙ ˙ ˙ b ˙ b ˙ ˙ ˙ # ˙ # ˙ ˙ &19 ˙ ˙ ˙ ˙ ˙ b ˙ b ˙ b ˙ b ˙ ˙ ˙ ˙ ˙ b ˙ b ˙ b ˙ b ˙ ˙ ˙ ˙ &24 ˙ ˙ ˙ ˙ ˙ # ˙ # ˙ # ˙ # ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ ˙ b ˙ b ˙ b ˙ b &29 ˙ ˙ ˙ ˙ ˙ b ˙ b ˙ b ˙ b w ∑ Long Tones: Octaves and Fourths sim.

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Evan Tate
No nonsense Saxophone Performance
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