Ars Poetica

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Ars Poetica : Ars Poetica

Ars Poetica : Ars Poetica Ars Poetica   by Archibald MacLeish A poem should be palpable and mute As a globed fruit, Dumb As old medallions to the thumb, Silent as the sleeve-worn stone Of casement ledges where the moss has grown— A poem should be wordless As the flight of birds. A poem should be motionless in time As the moon climbs

Slide 3 : Leaving, as the moon releases Twig by twig the night-entangled trees, Leaving, as the moon behind the winter leaves, Memory by memory the mind— A poem should be motionless in time As the moon climbs. A poem should be equal to: Not true. For all the history of grief An empty doorway and a maple leaf. For love The leaning grasses and two lights above the sea— A poem should not mean But be.

Slide 4 : A poem should be equal to: Not true. For all the history of grief An empty doorway and a maple leaf. For love The leaning grasses and two lights above the sea— A poem should not mean But be.

Art for Arts Sake : Art for Arts Sake "Ars Poetica" has been called MacLeish's ultimate expression of the art-for-art's-sake tenet. Taken as one statement of his theory, the poem does defy the "hair splitting analysis of modern criticism." Written in three units of double-line stanzas and in rhyme, it makes the point that a poem is an intimation rather than a full statement, that it should "be motionless in time"; that it has no relation to generalities of truth, historical fact, or love-variations, perhaps, of truth, beauty, and goodness. From Archibald MacLeish. New York: Twayne, 1965. Copyright ? 1965 by Twayne Publishers, Inc.

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